Veteran Lighting Designer Jeremy Roth recently deployed Martin by HARMAN MAC
Quantum Wash fixtures for Wilco’s current West Coast tour as well as a special
performance by Nathaniel Rateliff & The Night Sweats at Red Rocks Amphitheatre in
Colorado. For both shows, Roth set out to create a lighting experience that was both
organic and timeless, with an emphasis on mood, colour and texture. Roth selected
the MAC Quantum Wash for its exceptional wash fields, colour palette and
innovative beam twister projection effects.

Wilco’s tour is in support of their latest album “Schmilco,’ and the performances
feature a unique and highly original lighting design based on imagery from the
Scottish Rite Temple in Santa Fe, New Mexico. Wilco’s lead singer Jeff Tweedy came
up with the idea while visiting the temple, and Roth began designing the lighting and
scenery around the concept. The final result is a blend of hand-painted portals,
forest backdrops and an open-sky background that features different lighting
effects.

“All of the lighting for the show is intended to look completely natural—there’s very
little that would seem out of place if you were in a natural environment,’ said Roth.
“For example, if the sun is coming up, all of the light on stage comes from a single
direction and has the same temperature. For Wilco, the MAC Quantum Wash was
definitely my number one choice. I’m using them to light parts of the scenery, for
sunlight effects coming down from above and for rear projection effects, using the
beam twister function. The powerful output and ability to have multiple colours and
gradients were key.’

Roth also designed the lighting for a recent performance by Nathaniel Rateliff & The
Night Sweats at Red Rocks, which was programmed and operated by Lighting
Programmer Bobby Mathias. The show was held in celebration of the one-year
anniversary of the release of the band’s debut album and filmed for a live webcast.
The band’s sound is very much a throwback to 60s and 70s soul, and Roth wanted
the lights to provide a timeless and classic look. The performance was designated
haze-free, so Roth decided to project effects on the rocks themselves.

“The stage at Red Rocks is very large and iconic, so it was really important to me
to fill that space up with as much light as possible,’ said Roth. “We used the MAC
Quantum Wash to create a variety of looks, from solid colours to two-colour washes
to beam twister effects. We were able to carpet the entire stage and the
surrounding rocks with a multi-coloured beam twister effect, which allowed us to
create an incredible visual display without relying on any haze in the air.’